Mama

I know it’s not fashionable to prefer the Phil Collin’s era of Genesis over Peter Gabriel, but there’s just something about the poppier approach. I like it. I like it a lot. My favourite Genesis track is this:

This is a great track by any standards.

Comfortably Numb

I don’t have much, if anything, useful to say about the death of David Bowie. I don’t own any of his music. Not sure why; I guess I was just into other bands and artists when I was growing up and I missed his most prolific and successful period, but it is impossible to ignore his influence on many of the bands that I love (just about all the prog rock bands) and on the music industry in general. He was one of the most important figures of recent decades and a positive influence on anyone wanting to be a little bit different.

He wrote some incredible songs, and I’m feeling motivated to get hold of some of his earlier works. ‘Low’ is certainly on the list, but I shall see what I can find.

I had no idea this existed until today, but here is David Bowie singing with one of my all-time musical heroes Dave Gilmour:

There were not many like David Bowie. His was a unique voice, a chance-taker who succeeded while experimenting the crap out of his craft. His songs were very much part of rich vein of music on the radio when I was growing up. He’ll be greatly missed.

Maynard Ferguson Legacy Big Band

Maynard Ferguson Legacy Big Band by rutty
Maynard Ferguson Legacy Big Band, a photo by rutty on Flickr.

This weekend saw me spend 48 hours or so in the most bracing part of England – Skegness for my favourite brass band event of the year, the Butlin’s Mineworkers Championships. Thousands of brass banders managed to get there despite the atrocious weather conditions. Music was played, beer was drunk and (in our case) disappointment in the eventual results was drowned in copious amount of alcohol.

I love this weekend. Love it.

One of the highlights was seeing the Maynard Ferguson Legacy Big Band in Reds on Saturday evening. They had the well-known trumpet screamer Chad Shoopman with them, and they were absolutely brilliant. I have no idea how the guy can reach some of those notes – it’s totally not natural.

Bring on 2014 (and a better result next time)